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Cameras at a Glance |
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Millennium |
35mm Sync Sound |
PV |
11.2° - 180° |
Motorised In Shot |
3-50 |
3-50 |
Millennium
XL |
35mm Sync Sound |
PV |
11.2° - 180° |
Motorised In Shot |
3-40 |
N/A |
| Platinum |
35mm Sync Sound |
PV |
50° - 200° |
Variable In Shot |
4-36 |
4-36 |
| G-II |
35mm Sync Sound |
PV |
50° - 200° |
Variable In Shot |
4-34 |
N/A |
| Panastar 2 |
35mm
Non Sync |
PV |
45° - 180° |
Variable In Shot |
4-120 |
4-120 |
Lightweight
Panaflex |
35mm Rig Sync Sound |
PV |
172.8° |
Fixed |
4-36 |
N/A |
ARRICAM
ST |
35mm Sync Sound |
PL / PV |
0 - 180° |
Motorised In Shot |
1-60 |
1-32 |
ARRICAM
LT |
35mm Sync Sound |
PL / PV |
0 - 180° |
Motorised In Shot |
1-40 |
1-32 |
Moviecam
Compact |
35mm Sync Sound |
PL / PV |
45° - 180° |
Pre-set |
2-50 |
12-32 |
Arri 535B
|
35mm Sync Sound |
PL / PV |
15 - 180° |
Pre-set |
3-60 |
3-60 |
Arri 435ES |
35mm Non Sync |
PL / PV |
11.2° - 180° |
Motorised In Shot |
1-150 |
1-150 |
Arri 35BL
|
35mm Sync Sound |
PL / PV |
144° - 180° |
Pre-set |
6-32 |
N/A |
Aaton 35-3
|
35mm Semi Sync |
PL / PV |
144° - 180° |
Pre-set |
2-32 |
N/A |
Arri 35-3
|
35mm Non Sync |
PL / PV |
15° - 180° |
Pre-set |
4-120 |
4-120 |
Arri 35-2C
|
35mm Non Sync |
PL / PV |
165° |
Fixed |
8-32 |
8-32 |
Mitchell
35R3 |
35mm Non Sync |
PL / PV |
172.8° |
Fixed |
1-128 |
1-32 |
Photosonics
4E |
35mm Non Sync |
PV |
5° - 120° |
Pre-set |
6-360 |
N/A |
Photosonics
A-500 |
16mm Non Sync |
Arri Bayonet |
7.5° - 160° |
Pre-set |
24-500 |
N/A |
Arri 16SR-2
Evo 200 H/S |
16mm Non Sync |
PL |
172.8° |
Fixed |
5-200 |
N/A |
Arri 16 SR-3
|
16mm Sync Sound |
PL |
45° - 180° |
Pre-set |
5-75 |
N/A |
Arri 16 SR-3
High Speed |
16mm Non Sync |
PL |
45° - 180° |
Pre-set |
10-150 |
N/A |
Arri 16 SR-2 |
16mm Sync Sound |
PL |
172.8° |
Fixed |
5-75 |
N/A |
Arri 16 SR-2
High Speed |
16mm Non Sync |
PL |
172.8° |
Fixed |
10-150 |
N/A |
Aaton XTR
PROD |
16mm Sync Sound |
PL |
144° - 180° |
Pre-set |
3-75 |
N/A |
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